First of all, I would like to extend my best holiday wishes to each and every one of my readers! Your support has been truly inspirational, and I thank you all for it. I hope that all of you had a very Merry Christmas! As a holiday treat, today I would like to present you with one of the most musically unique albums that I have encountered in the past year. Let no one say that Rich Vreeland, also known as Disasterpeace, does not have a distinctive sound. He is the mastermind behind Rise of the Obsidian Interstellar, an album that combines the glitchy wonder of retro video game music with the musical complexity of progressive rock. Well, that’s certainly an interesting twist. If a band like Seventh Wonder or Dream Theater had decided to write electronic-based music for an 80s adventure game, this might have been the result. Let’s take a closer look!
This music represents a bit of an indulgence for me. Those of you that follow this blog regularly have probably realized by now that I am a big fan of progressive rock. It is the genre that I grew up with, and it will definitely always hold a special influence in my musical endeavors. I am also a passionate video game music enthusiast. The world of video games is the perfect theater for compositional experimentation. Different moods can be created for different scenarios in the game, characters can each be assigned their own musical themes, and dramatic interpretation is an omnipresent element. There is so much inspiration that can be drawn from various components of a game, and composers use this inspiration to create a sonic world that helps the game take on a whole new life.